This survey of choral literature, written by American composers from 1760 through the 1990s, examines nearly 3, 000 pieces of choral music written by over 300 composers. Along with a descriptive analysis, the literature is placed within a historical perspective. Familiar and less well-known composers and their music are examined. The study seeks to remedy the superficial treatment choral music is often given in standard textbooks on American music and to acknowledge and expose the varied richness of the literature. Choral conductors and musicologists will appreciate the vast repertory of choral music literature examined. Organized chronologically, this study uniquely traces the development of choral music literature throughout the centuries. A select bibliography provides a useful guide for further research.The Prologue, aquot;Hen Party, aquot; is funny and biting, describing a gathering of old women. The Epilogue ... 1 979), to a text of Emersona#39;s; Hush a#39;d Be the Camps Tonight (1941), to a Whitman poem; New Hampshire (1938), for womena#39;s voices; anbsp;...
|Author||:||David P. DeVenney|
|Publisher||:||Greenwood Publishing Group - 1999-01-01|