qThe Vale of Soul-Makingq promises to become the text for post-Kleinian thought.. and the upshot of it all is to establish Mrs Klein as the first 'post-Kleinian'.q-- Donald Meltzer Poets have always seen themselves as inspired by their Muse. In this book this is taken literally, not just metaphorically, to be a faithful description of an internal identification with a teaching object or deity that governs the adventure of writing the poem. The central concern of the book is therefore the relationship of each individual poet with his Muse, as worked out qon the pulsesq through the expressive qualities of poetic language. The awesome qualities of the internal Muse were discovered by Melanie Klein in the qcombined objectq, and developed into a theory of knowledge by Wilfred Bion and Donald Meltzer, who have shown how qlearning from experienceq occurs by repeatedly confronting the aesthetic conflict evoked by the internal object at points of qcatastrophic changeq in mental evolution. The impelling nature of the quest for knowledge of the inner world prompted Keats to describe the world as a qvale of soul-makingq, teeming with opportunities for mental growth under the guidance of internal qmediatorsq. The self-analysis of Keats and other poets by incorporating poetic qualities into their own evolving Muse provides a fascinating model of development through qinfluenceq in a way that illuminates the complexity of identification in psychoanalysis, a process at whose core Meltzer locates the qcounter-transference dreamq.For explication of the language see Thomas Gould (Trans1.), Oedipus the King ( Englewood Cliffs, NJ: Prentice-Hall, 1970), pp. 46ff. 7. See E. F. Watling (Transl.), Sophocles: The Theban Plays (Harmondsworth, Middlesex: Penguin, 1947), p.
|Title||:||The Vale of Soulmaking|
|Author||:||Meg Harris Williams|
|Publisher||:||Karnac Books - 2005|