The medieval distinctions between the liberal and the manual arts had for centuries kept the artist in a subservient position. Richardsona#39;s books were seen as one more step in the continuing attempt of the painter to raise his art from the level ofanbsp;...
|Title||:||The Anglo-American artist in Italy, 1750-1820|
|Author||:||Corlette Rossiter Walker|
|Publisher||:||University of California, Santa Barbara, Art Museum - 1982-01-01|