Summer in Baden-Baden was acclaimed by The New York Review of Books as qa short poetic masterpieceq and by Donald Fanger in The Los Angeles Times as qgripping, mysterious and profoundly moving.qA complex, highly original novel, Summer in Baden-Baden has a double narrative. It is wintertime, late December: a species of qnow.q A narrator--Tsypkinis on a train going to Leningrad. And it is also mid-April 1867. The newly married Dostoyevskys, Fyodor, and his wife, Anna Grigor'yevna, are on their way to Germany, for a four-year trip. This is not, like J. M. Coetzee's The Master of St. Petersburg, a Dostoyevsky fantasy. Neither is it a docu-novel, although its author was obsessed with getting everything qright.q Nothing is invented, everything is invented. Dostoyevsky's reckless passions for gambling, for his literary vocation, for his wife, are matched by her all-forgiving love, which in turn resonates with the love of literature's disciple, Leonid Tsypkin, for Dostoyevsky. In a remarkable introductory essay (which appeared in The New Yorker), Susan Sontag explains why it is something of a miracle that Summer in Baden-Baden has survived, and celebrates the happy event of its publication in America with an account of Tsypkin's beleaguered life and the important pleasures of his marvelous novel.And it is also mid-April 1867. The newly married Dostoyevskys, Fyodor, and his wife, Anna Grigora#39;yevna, are on their way to Germany, for a four-year trip. This is not, like J. M. Coetzeea#39;s , a Dostoyevsky fantasy.
|Title||:||Summer in Baden-Baden|
|Author||:||Leonid Tsypkin, Roger Keys, Angela Keys|
|Publisher||:||New Directions Publishing - 1987|