In recent decades, the importance of sound for remembering the past and for creating a sense of belonging has been increasingly acknowledged. We keep qsound souvenirsq such as cassette tapes and long play albums in our attics because we want to be able to recreate the music and everyday sounds we once cherished. Artists and ordinary listeners deploy the newest digital audio technologies to recycle past sounds into present tunes. Sound and memory are inextricably intertwined, not just through the commercially exploited nostalgia on oldies radio stations, but through the exchange of valued songs by means of pristine recordings and cultural practices such as collecting, archiving and listing. This book explores several types of cultural practices involving the remembrance and restoration of past sounds. At the same time, it theorizes the cultural meaning of collecting, recycling, reciting, and remembering sound and music.The rising sales of portable radios demonstrated West Germanya#39;s transformation from a postwar economy of scarcity and tight ... Grundig, a firm that would soon turn into West Germanya#39;s leading consumer electronics manufacturer, invited its ... excellent sound quality but was also quite heavy (2 to 5 kilograms), thereby making it inappropriate for longer manual transport. ... as a mute piece of luggage to onea#39;s destination and activated once the picnic spot or the sports field was reached.
|Author||:||Karin Bijsterveld, José van Dijck|
|Publisher||:||Amsterdam University Press - 2009|