This book is the first case study on Wenda Gu that systematically investigates the cultural and artistic context of his life and works, examining selected images of his artwork spanning from the late 1970s to the early 21st century. It is the first monograph to provide a comprehensive and profound study of a Chinese contemporary artist. In the 1980s, the School of Hermeneutics attempted to launch a discursive revolution. Vanguard artists believed that the visual art revolution was an integral part of the critique of culture because it tended to subvert and rebuild the cultural tradition at a discursive level. This book, using a case study on Wenda Gu as representative of Chinese avant-garde, investigates the centrality of culture in art, providing readers with insights on the origin, rationale and methodology of Chinese contemporary art.A thesis on UNITED NATIONS art project aamp; its time and environment Wenda Gu New York City 1995 (Wenda Gu distributed this essay among critics, artists, and friends in 1995. When published, in the title aface the millennium: the divineanbsp;...
|Title||:||Odyssey of Culture|
|Publisher||:||Springer - 2015-03-11|