William Rothman argues that the driving force of HitchcockAs work was his struggle to reconcile the dark vision of his favorite Oscar Wilde quote, AEach man kills the thing he loves, A with the quintessentially American philosophy, articulated in EmersonAs writings, that gave classical Hollywood movies of the New Deal era their extraordinary combination of popularity and artistic seriousness. A Hitchcock thriller could be a comedy of remarriage or a melodrama of an unknown woman, both Emersonian genres, except for the murderous villain and godlike author, Hitchcock, who pulls the villainAs stringsAand ours. Because Hitchcock believed that the camera has a murderous aspect, the question AWhat if anything justifies killing?, A which every Hitchcock film engages, was for him a disturbing question about his own art. Tracing the trajectory of HitchcockAs career, Rothman discerns a progression in the filmsA meditations on murder and artistic creation. This progression culminates in Marnie (1964), HitchcockAs most controversial film, in which Hitchcock overcame his ambivalence and fully embraced the Emersonian worldview he had always also resisted. Reading key Emerson passages with the degree of attention he accords to Hitchcock sequences, Rothman discovers surprising affinities between HitchcockAs way of thinking cinematically and the philosophical way of thinking EmersonAs essays exemplify. He finds that the terms in which Emerson thought about reality, about our Aflux of moods, A about what it is within us that never changes, about freedom, about America, about reading, about writing, and about thinking are remarkably pertinent to our experience of films and to thinking and writing about them. He also reflects on the implications of this discovery, not only for Hitchcock scholarship but also for film criticism in general.But then why did he next make Psycho, a film in which, allegorically, he killed the thing he loved most in the world: the art of ... defining feature of the Emerson essay that it draws a circle around the essays that came before it, a circle around anbsp;...
|Title||:||Must We Kill the Thing We Love?|
|Publisher||:||Columbia University Press - 2014-04-08|