Nora and Fern are just like any other mother and daughter - their relationship is tumultuous, marked by brooding silences and curt exchanges. For Nora, Fern is an enigma - incomprehensible, unfindable. Fern has never really forgiven her mother for leaving her marriage to live with her lover, Jeanne. Their story is a contemporary one, in which mothering is a mapless journey and children are left to form themselves in the shadows cast by idiosyncratic parenting. Here, too, is the reality that perfectly reasonable people will find some way to throw a wrench into the smooth, well-oiled workings of their lives. Noraas relationship with Jeanne has settled into domestic stability, triggering in Nora a familiar restlessness that leads to an affair. When Fern intuits her motheras indiscretion, she looks to the two people she depends on most: her uncle Harold and her best friend, Tracy, who now has the overwhelming task of raising a baby. As Fern begins to take on more of the baby's care herself, she discovers some of the powerful ambiguities of parental love - and starts to find her way back to her own mother. Carol Anshaw has been praised for her qwarmhearted sympathies and lively witq (Newsday). LUCKY IN THE CORNER, with the author's inimitable humor and insight, shows us the way a family reconfigures itself as unexpected changes come its way - and how, no matter what shape it takes, it remains a family.She roams around looking for parking spaces big enough, sinks low in the seat and hopes no one sees her. Her replacement car is due next week. ... The frame, the guy at the collision shop told her, was basically a parallelogram now, as opposed to a rectangle. He drew two diagrams with a pencil, to help her grasp the concept. Neither the cops nor the insurance people inquired about any possible connection between her and whoever did this. aquot;Holiday drunks, aquot; one of the cops said, anbsp;...
|Title||:||Lucky in the Corner|
|Publisher||:||Houghton Mifflin Harcourt - 2012-04-26|