Marriage is a central concern in five of the seven extant plays of the Greek tragedian Sophocles. In this pathfinding study, Kirk Ormand delves into the ways in which these plays represent and problematize marriage, thus offering insights into how Athenians thought about the institution of marriage. Ormand takes a two-fold approach. He first explores the legal and economic underpinnings of Athenian marriage, an institution designed to guarantee the legitimate continuation of patrilineal households. He then shows how Sophocles' plays Trachiniae, Electra, Antigone, Ajax, and Oedipus Tyrannus both reinforce and critique this ideology by representing marriage as a homosocial exchange between men, in which women are objects who may attempt--but always fail--to become self-acting subjects. These fresh readings provide the first systematic study of marriage in Sophocles. They draw important connections between drama and marriage as rituals concerned with controlling potentially disruptive female subjectivities.A little later, he gives Tecmessa what turn out to be final instructions: ov 8e / eaiu Geois eXGoOaa 81a TeXous, ywai, I evxov TeXetaGai Touu6v wi epa ... word for a legitimate wife.46 The chorus does not immediately pick up on this, waiting until Ajax has actually been found dead to recognize her new status. ... Again, gune is the standard term for \vife, 4S and it is surely significant that the chorus first uses it of Tecmessa here. She begins to be treated as the mother of a gnesios son.
|Title||:||Exchange and the maiden|
|Publisher||:||Univ of Texas Pr - 1999|