Erwin Rosenthalas Contemporary Art in the Light of History, originally published in 1971, is a small masterpiece of writing on the art of the twentieth century. A scholar of medieval art by training and a prominent antiquarian bookseller, Rosenthal, who died in l981, was equally entranced by modern art, particularly abstraction. His three linked essays in this bookaaContemporary Art in the Light of History, a aArt and Technology, a and aArt Theories and Manifestos, Old and Newaaset out a path to understanding modern art through its affinities with the art of the past. Rosenthal engages with some of the enduring aesthetic questions: How do new forms and new artistic vocabularies respond to the deepest human needs and impulses? What is the relationship between artistic theory and artistic expression? Nicolas Poussinas mythological landscapes, Paul Kleeas graphic abstractions, Bridget Rileyas op-art compositionsathese and many other examples from centuries of painting, sculpture, poetry, and music take us, in these pages, on a fascinating cultural journey with a sophisticated and lucid guide. Rosenthalas explorations of the theory and practice of twentieth-century artists bring us directly into the minds and studios of modern artists. What is more, like his previous The Changing Concept of Reality in Art, already republished by Arcade, this book invites us into a great intimacy with the origins of art.He didnot develop any specific theories, and his work remains essentially a craftsmana#39;s handbook. ... Alberti, for example, was already operating witha concept of aideala beautywhich could only be achieved on the basis of experience andanbsp;...
|Title||:||Contemporary Art in the Light of History|
|Publisher||:||Skyhorse Publishing, Inc. - 2013-12-13|