cut the form on the canvas without cutting into it a facilitate repetition of motifs on the same scale. ... of stencils as masks, as a#39;faces that cover facesa#39;, and thus to give meaning and wider poetic significance to the method. ... lines making strong visual motifs, often in compositions that themselves propose busy urban settings laid out as plans. ... They do not become a controlling theme. ... In that year he had worked on a lithograph with Bud Shark, using a standard (not mixed) silver- grey.
|Author||:||Norbert Lynton, Bernard Cohen, Ian McKay, Flowers East (Gallery : London, England)|