Art as Politics explores the intersection of art, identity politics, and tourism in Sulawesi, Indonesia. Based on long-term ethnographic research from the 1980s to the present, the book offers a nuanced portrayal of the Sa'dan Toraja, a predominantly Christian minority group in the world's most populous Muslim country. Celebrated in anthropological and tourism literatures for their spectacular traditional houses, sculpted effigies of the dead, and pageantry-filled funeral rituals, the Toraja have entered an era of accelerated engagement with the global economy marked by on-going struggles over identity, religion, and social relations. In her engaging account, Kathleen Adams chronicles how various Toraja individuals and groups have drawn upon artistically-embellished traditional objects - as well as monumental displays, museums, UNESCO ideas about word heritage, and the World Wide Web - to shore up or realign aspects of a cultural heritage perceived to be under threat.I was hunting for a map of the area, and several young aspiring Toraja guides steered me in the direction of a small ... shop, past the dusty glass cases crammed with Toraja pop music cassette tapes, knock-off designer watches, pocket knives, anbsp;...
|Title||:||Art As Politics|
|Author||:||Kathleen M. Adams|
|Publisher||:||University of Hawaii Press - 2006-01-01|